Late bloomers in the contemporary music scene offer the most distinctive works, and there are a lot of them who have become popular. Great music is being made by people of all ages today, and age groups here do not relate since most things are available on YouTube and other sites. Some discovered playing late while others started young, stopped and then rediscovered their playing roots.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium defines his path into a world that has become legendary in America, defined by spiritualism and the great green plains and the distant mountains of the West. This title comes from the Delphinium flower, which grows in the months of June and July, a late blooming flower. Its range, though, is vast, from the mountain valleys down to grassland meadows.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The musician is also a blogger, and his blog is entitled The Good Ancestor, which is a rumination about roots ethereal or real. It is about the history of his music. The artist in him has finally taken everything in stride and this shows clearly in this first full length album he has made.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
He recorded the album in studios in Boston and Minneapolis, with players coming from the Dakotas and Africa. His stand is all about making his influences come at as native to the album. Despite the eclecticism, all things that stand for the Blues are there, as defined by the first ditty ever dedicated to its source Old Man River.
The titles of songs on the list are Heroes, One Time, Strong Love and Heart Be True, among others. Also included are the title track, Easy to Bleed and Gypsy Woman, songs with strong reminders of blues traditions. Because that is what is all about, of Christians suffering things straight out of Bible history, about things so deep that the thought of them creates a well of tears.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium defines his path into a world that has become legendary in America, defined by spiritualism and the great green plains and the distant mountains of the West. This title comes from the Delphinium flower, which grows in the months of June and July, a late blooming flower. Its range, though, is vast, from the mountain valleys down to grassland meadows.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The musician is also a blogger, and his blog is entitled The Good Ancestor, which is a rumination about roots ethereal or real. It is about the history of his music. The artist in him has finally taken everything in stride and this shows clearly in this first full length album he has made.
He has also come into his own with the blues, and he and his band of traveling players named SoulShine are readying an eclectic album of this kind. Their influences range from Johnny Cash to ZZ Top, from Hendrix to Clapton, Dylan and BB King. And people should watch for it, because Maser and his group are seasoned musicians playing as a classic trio.
He recorded the album in studios in Boston and Minneapolis, with players coming from the Dakotas and Africa. His stand is all about making his influences come at as native to the album. Despite the eclecticism, all things that stand for the Blues are there, as defined by the first ditty ever dedicated to its source Old Man River.
The titles of songs on the list are Heroes, One Time, Strong Love and Heart Be True, among others. Also included are the title track, Easy to Bleed and Gypsy Woman, songs with strong reminders of blues traditions. Because that is what is all about, of Christians suffering things straight out of Bible history, about things so deep that the thought of them creates a well of tears.
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